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When racist behavior from leadership is normalized, students learn it’s compatible with power. This reshapes democratic engagement. One reason as to why this behavior has become so normalized is based on the Overton Window political theory.
Speech Night, held on April 1st, drew students, faculty, and administrators to the Wyckoff Center to hear proposed platforms and goals, encouraged by candidates’ posters and Instagram campaigns. This year’s candidates for SGA President, Soraya Gordon ‘29 and Dylan Kostbar ‘28 have run similar campaigns, both promising greater transparency from SGA, stronger student engagement, and improved accessibility on campus.
Children across the United States are being barred from reading books—not by their parents or teachers, but by their state governments. In January alone, Katy Independent School District banned over 140 LGBTQIA+ books from school libraries. Language around book bans has been intentionally ambiguous, but PEN America defines the process in clear terms as “...any action taken against a book based on its content and as a result of parent or community challenges, administrative decisions, or in response to direct or threatened action by governmental officials, that leads to a book being either completely removed from availability to students, or where access to a book is restricted or diminished.”
On Sunday, February 8th, 31-year-old Puerto Rican rapper and singer, Bad Bunny, performed the Super Bowl LX halftime show, the first one in NFL history to be almost entirely in Spanish. The performance ran for about 13 minutes and has since broken the record for the most-watched halftime show with an average of 128.2 million viewers in the United States.
For two months, FLEX has been the primary form of transportation for Skidmore College to Saratoga Springs. FLEX, a swipe-to-pay minibus that accepts Skidmore ID cards in lieu of payment, charges the standard bus fare of $1.50. Despite the CDTA’s optimism that FLEX would reduce waiting times and increase ridership, the implementation of the new system has resulted in several accessibility concerns and safety risks.
In a novel celebrity scandal, Timothee Chalamet has found himself in opposition to major performing industries after making a sweeping assertion that “no one cares” about art forms like ballet and opera. The trouble with Chalamet’s barbs is that they are marked by the exclusivity of the environment he has grown accustomed to.